Pataphysics Playwriting Workshops
The Pataphysics Playwriting Workshops at The Flea Theater are intimate, four-session intensives for new work and new ways of working.
PATAPHYSICS with MAC WELLMAN
DESCRIPTION: A 4-meeting, 2-weekend intensive. Arrive with blank paper and leave with interesting writing. Non-romantic writing & discussion.
DATES: Dec 5, 6, 12, 13.
Application Deadline: Nov 5
Applicants should submit:
1. Cover letter
3. 10 page writing sample
E-mail your application materials to firstname.lastname@example.org
Mac Wellman’s recent work includes The Difficulty of Crossing a Field (with composer David Lang) and 1965 UU for performer Paul Lazar. In 2003 he received his third Obie, for lifetime Achievement (Antigone, Jennie Richee and Bitter Bierce all cited). In 2004 he received an award from the Foundation for Contemporary Performance Arts. In 2006 his third novel, Q’s Q, was published by Green Integer, and in 2008 a volume of stories, A Chronicle of the Madness of Small Worlds, was published by Tripp Street Press. He is the Donald I. Fine Professor of Play Writing at Brooklyn College.
New Work and New Ways of Working
The Pataphysics Playwriting Workshops at The Flea Theater are intimate, four-session intensives for new work and new ways of working. Named for Alfred Jarry’s science of imaginary solutions, the workshops are a gymnasium for the writing brain—curious, particular, and rigorous. Students enter with blank sheets of paper, and leave with pages of notes, fragments, scenes, even entire plays unlike anything they would have written on their own.
Led by Master Playwrights
The Pataphysics workshops are led by master playwrights who are known not only for a distinct and groundbreaking body of work, but also for their ability as teachers. Each workshop, led by a master playwright pursuing his or her own train of thought, is geared to generate new material and new ideas through writing experiments, readings, and interesting talk. Master playwrights have included: Lee Breuer, Erik Ehn, Karen Finley, Maria Irene Fornes, Jeff Jones, Eduardo Machado, Chuck Mee, Paula Vogel, and Mac Wellman.
The workshops are structured around the idea that whatever is most immediately interesting to a teacher will make for the most engaging class. They’re an opportunity for writers, emerging and experienced, to challenge their own assumptions using strange muscles and surprising parts of the brain.
Each workshop meets four times over two consecutive weekends at The Flea. Class size is limited to thirteen and admission is by application. The Flea Theater runs these workshops at cost. Grants from The Flea Theater and private donations provide a limited number of scholarships for those who would not otherwise be able to attend.
Pataphysics is quite simply the best class I’ve ever taught. Why? Because everyone in the room knows why they’re there and comes highly motivated. That cuts through the bull. It lets us work as peers.
—Jeffrey M. Jones
To receive notification of upcoming classes, add your name and e-mail address to the Pataphysics mailing list by e-mailing us here. When a class is scheduled we will inform you 2 months ahead of the date.
About Our Participants
Pataphysics workshops are for both developing and experienced writers of any age or aesthetic inclination. Pataphysics students have been produced or developed by, and have received awards from: Humana, The Public Theater, The Flea, Princess Grace Award, Little Theater, SOHO Rep, O’Neill Playwrights Conference, Manhattan Theater Club, Lincoln Center Director’s Lab, Lucille Lortel Playwrighting Fellowship, Printer’s Devil, Horla Theater (London), BRIC Studios, New Dramatists, NYFA, Whitfield Award, Portland Center Stage, New Georges, Clubbed Thumb, HERE, Playwrights Horizons, LaMama, The Cherry Lane Alternative, Annex Theater, Dixon Place, Empty Space Theater, McArthur Foundation Award, The Ontological, Ensemble Studio Theater.