Set in a hospice waiting room, sometime, somewhere. When childhood friends are forced back together over the impending loss of one of their own, they find themselves caught in an exploration of grief and death, love and friendship, and the fear of facing the past.

Set in a hospice waiting room, sometime, somewhere. When childhood friends are forced back together over the impending loss of one of their own, they find themselves caught in an exploration of grief and death, love and friendship, and the fear of facing the past.

Set in a hospice waiting room, sometime, somewhere. When childhood friends are forced back together over the impending loss of one of their own, they find themselves caught in an exploration of grief and death, love and friendship, and the fear of facing the past.

Set in a hospice waiting room, sometime, somewhere. When childhood friends are forced back together over the impending loss of one of their own, they find themselves caught in an exploration of grief and death, love and friendship, and the fear of facing the past.

Set in a hospice waiting room, sometime, somewhere. When childhood friends are forced back together over the impending loss of one of their own, they find themselves caught in an exploration of grief and death, love and friendship, and the fear of facing the past.

Set in a hospice waiting room, sometime, somewhere. When childhood friends are forced back together over the impending loss of one of their own, they find themselves caught in an exploration of grief and death, love and friendship, and the fear of facing the past.

The story is based on the actual news coverage of Miss Norma de Marco’s role in thwarting an armed robbery of a queer club in the Village. With a modern Greek chorus, reading actual headlines and news articles about the events as they unfolded, the story intersperses scenes from the last three months of Norma’s life with narration from a passionate academic seeking to redeem her from the tabloid sensationalism following her plunge from an apartment window.

The story is based on the actual news coverage of Miss Norma de Marco’s role in thwarting an armed robbery of a queer club in the Village. With a modern Greek chorus, reading actual headlines and news articles about the events as they unfolded, the story intersperses scenes from the last three months of Norma’s life with narration from a passionate academic seeking to redeem her from the tabloid sensationalism following her plunge from an apartment window.

Set in a hospice waiting room, sometime, somewhere. When childhood friends are forced back together over the impending loss of one of their own, they find themselves caught in an exploration of grief and death, love and friendship, and the fear of facing the past.

Set in a hospice waiting room, sometime, somewhere. When childhood friends are forced back together over the impending loss of one of their own, they find themselves caught in an exploration of grief and death, love and friendship, and the fear of facing the past.

The story is based on the actual news coverage of Miss Norma de Marco’s role in thwarting an armed robbery of a queer club in the Village. With a modern Greek chorus, reading actual headlines and news articles about the events as they unfolded, the story intersperses scenes from the last three months of Norma’s life with narration from a passionate academic seeking to redeem her from the tabloid sensationalism following her plunge from an apartment window.

Set in a hospice waiting room, sometime, somewhere. When childhood friends are forced back together over the impending loss of one of their own, they find themselves caught in an exploration of grief and death, love and friendship, and the fear of facing the past.

The story is based on the actual news coverage of Miss Norma de Marco’s role in thwarting an armed robbery of a queer club in the Village. With a modern Greek chorus, reading actual headlines and news articles about the events as they unfolded, the story intersperses scenes from the last three months of Norma’s life with narration from a passionate academic seeking to redeem her from the tabloid sensationalism following her plunge from an apartment window.

Three men chew the fat under an old, wide tree. Peek into the interiority – the great loves and bitter blues – of Black men in America. Setting the romantic and the macabre in sharp relief, HANG TIME invites you to envisage the living Black body triumphant over the legacy of violence that it holds.

Join us for Luminescence, a rare evening of live performance presenting five original solo works by TRIBE artists: Ashley Pierre-Louis, Marcella Lewis, Tushrik Fredericks, and Shamel Pitts, with performers Marirosa Crawford and Ny Opong.

Across three nights only, these brilliant artists illuminate the stage with intimate, powerful, and transformative performances that reflect TRIBE’s core ethos: art as a space for freedom, humanity, and connection.

Three men chew the fat under an old, wide tree. Peek into the interiority – the great loves and bitter blues – of Black men in America. Setting the romantic and the macabre in sharp relief, HANG TIME invites you to envisage the living Black body triumphant over the legacy of violence that it holds.

Join us for Luminescence, a rare evening of live performance presenting five original solo works by TRIBE artists: Ashley Pierre-Louis, Marcella Lewis, Tushrik Fredericks, and Shamel Pitts, with performers Marirosa Crawford and Ny Opong.

Across three nights only, these brilliant artists illuminate the stage with intimate, powerful, and transformative performances that reflect TRIBE’s core ethos: art as a space for freedom, humanity, and connection.

Three men chew the fat under an old, wide tree. Peek into the interiority – the great loves and bitter blues – of Black men in America. Setting the romantic and the macabre in sharp relief, HANG TIME invites you to envisage the living Black body triumphant over the legacy of violence that it holds.

Three men chew the fat under an old, wide tree. Peek into the interiority – the great loves and bitter blues – of Black men in America. Setting the romantic and the macabre in sharp relief, HANG TIME invites you to envisage the living Black body triumphant over the legacy of violence that it holds.

Join us for Luminescence, a rare evening of live performance presenting five original solo works by TRIBE artists: Ashley Pierre-Louis, Marcella Lewis, Tushrik Fredericks, and Shamel Pitts, with performers Marirosa Crawford and Ny Opong.

Across three nights only, these brilliant artists illuminate the stage with intimate, powerful, and transformative performances that reflect TRIBE’s core ethos: art as a space for freedom, humanity, and connection.

Three men chew the fat under an old, wide tree. Peek into the interiority – the great loves and bitter blues – of Black men in America. Setting the romantic and the macabre in sharp relief, HANG TIME invites you to envisage the living Black body triumphant over the legacy of violence that it holds.

Three men chew the fat under an old, wide tree. Peek into the interiority – the great loves and bitter blues – of Black men in America. Setting the romantic and the macabre in sharp relief, HANG TIME invites you to envisage the living Black body triumphant over the legacy of violence that it holds.

Three men chew the fat under an old, wide tree. Peek into the interiority – the great loves and bitter blues – of Black men in America. Setting the romantic and the macabre in sharp relief, HANG TIME invites you to envisage the living Black body triumphant over the legacy of violence that it holds.

Three men chew the fat under an old, wide tree. Peek into the interiority – the great loves and bitter blues – of Black men in America. Setting the romantic and the macabre in sharp relief, HANG TIME invites you to envisage the living Black body triumphant over the legacy of violence that it holds.

Three men chew the fat under an old, wide tree. Peek into the interiority – the great loves and bitter blues – of Black men in America. Setting the romantic and the macabre in sharp relief, HANG TIME invites you to envisage the living Black body triumphant over the legacy of violence that it holds.

In the cutthroat world of New York theater, two bumbling actors land minor roles in a production of Richard III, only to find themselves trapped in a real-life plot of murder & betrayal. When reality gives way to fantasy, they choose to meddle with the plot and confront the man in power. 2nd Murderer is a pulse-pounding dark comedy about fate, purpose, and trusting that little voice in your head.

WALK OUT is an ambulatory meditation through New York that invites audience members to take to the streets, learn about the city’s history of injustice and rebellion, and discover what discomfort (and adventure) exists in taking a stand.

WALK OUT is an ambulatory meditation through New York that invites audience members to take to the streets, learn about the city’s history of injustice and rebellion, and discover what discomfort (and adventure) exists in taking a stand.

WALK OUT is an ambulatory meditation through New York that invites audience members to take to the streets, learn about the city’s history of injustice and rebellion, and discover what discomfort (and adventure) exists in taking a stand.

WALK OUT is an ambulatory meditation through New York that invites audience members to take to the streets, learn about the city’s history of injustice and rebellion, and discover what discomfort (and adventure) exists in taking a stand.